Thursday, August 14, 2008

Laddie, the Peek-a-boo Girl and the Fickleness of Hollywood

I rewatched this film noir last night, and remembered why I liked it in the first place. This Gun for Hire has a simple plot that's both easy to follow and riveting. 

Raven (Alan Ladd) is a cold-blooded professional killer who's been double-crossed by his client. Ellen (Veronica Lake) is a beautiful nightclub singer who's spying on her corrupt boss. Lt. Michael Crane (Robert Preston) is a dedicated cop who wants Ellen's love and Raven's capture. The tension mounts and before the case is wrapped, someone will pay with his life.

The film's so short, I guess they had to made it simple. However, there is still something powerful about it. This was probably one of the few film noirs that showed a non-remorseful killer that came off as sympathetic to the audience. Raven continually threatens people with a gun to do what he wants, and kills them if they don't. And we still feel sorry for him! Maybe because he like cats?
Alan Ladd and Veronica Lake publicity photo for the film

This role made Alan Ladd a star and he played it very well. Most of the time he doesn't show emotion, but when he does, Wham! Veronica Lake typically plays her monotone self. She was the only character to show some sympathy towards Raven, ultimately, helping him escape from the cops when they are being held up in a train yard. 

This was the first of four pairings between Ladd and Lake. The funny story behind this is, Paramount had a difficult time casting actresses opposite the 5'6" Ladd. Lucky for them, Lake was just under 5ft. So the pairing stuck, however, Ladd didn't care for Lake much, but he also didn't make the same mistake Frederic March made.
Frederic March and Veronica Lake is a promotional still from I Married a Witch

March and Lake starred in I Married a Witch (the blueprints for Bewitched). And Lake was known as difficult to work with. On set, March referred to her as, "a brainless little blonde sexpot, void of any acting ability." She found out and retaliated by calling him a "Pompous poseur." It was war from then on since Veronica played practical jokes on him. Never get a Brooklyn girl angry...

One instance was hiding a forty pound weight in her dress, when the scene called for March to carry her. They had several takes of the scene, ouch. Another was a scene where March stands directly behind a chair. Lake was required, I guess to cling to him, and while she was she brought her foot up into his groin. March renamed the film, "I Married a Bitch," understandably. But it's still really funny to read about.

One of the best moments in This Gun for Hire is when Raven and Ellen are trapped a small hut by the train tracks. Raven tells Ellen about a dream he keeps having, believing if he tells someone he'll stop having it. As long as she doesn't laugh that is. Raven's parents died when he was very young and he was taken in by his aunt, who would severely beat him. When he was fourteen he picked up a knife and stabbed her in the neck, killing her. He was sent to reform school and also beat him there. Raven was not born the way he was, he was made that why by the people who were supposed to care about him. The emotion building in Ladd's face showed how this whole ordeal affected him. 

So while Ladd's career flourished for about 10 more years, Lake's career began floundering after 1942. Making way for the decade's leading "love goddess" and most photographed woman in the world, Rita Hayworth, another lady who's trademark was her hair. Put it this way, Rita was the Angelina Jolie of the 1940s, while Veronica Lake was the Rachel McAdams (who was an "It Girl" for two years then disappeared). 
Hollywood's a fickle creature and it will remain so. And we will continue obsessing over it in awe.

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